Imaginatively Gory House a Horror Haunt Not Worth Visiting A team of kidnappers, led by the aggressively determined Hazel (Sharni Vinson), plan and execute the abduction of heiress Katherine (Carlyn Burchell), setting themselves up for a major payday. But calls to the young woman’s father go continually unanswered, and as such Ade (Steven John Ward) […]

The Zookeeper’s Wife is excellent, the Zabinski’s story an important lesson in heroism that proves to be as entertainingly compelling as it is fascinatingly essential.

“I think it’s the voice. The voices. It’s why we started. These voices that you never hear from normally in movies. They’re unacceptable to conventional mainstream society and yet they’re crucial to us understanding the margins.”

This screenplay is shockingly dumb, there’s just no other way to put it, Life more akin to a low budget ‘80s Roger Corman schlock sci-fi knockoff than it comes close to resembling a Ridley Scott or John Carpenter genre classic.

T2 Trainspotting is a fine reunion, and while the punk portion might not be as raucous as it once was, that doesn’t mean these four men have forgotten how to rock one tiny little bit.

Wolves shoots way too many air balls, its inability to find the basket making this dramatic teenage hoop dream nothing short of an emotionally deflated basketball nightmare.

“I like trying things. I like to take risks. If I ever stopped taking risks I think I’d want to stop making movies. I’d find that boring.”

While Gunn and McLean don’t rewrite the company handbook, they still do a good enough job bullet pointing the important stuff to make reading it worthwhile, The Belko Experiment a corporate retreat of butchery and slaughter that takes team building to a heretofore unexplored level of a skull-crushing commitment.

This is a rich, aggressively dynamic piece of horror cinema, one that goes way beyond genre to a point bordering on magnificence, The Devil’s Candy a terrifying heavy metal treat worth savoring.