While V/H/S is a wildly uneven ride, for those willing to take a seat on the rollercoaster the hypnotic horrors found within are undeniably worthy of discovery.

“I have made six horror movies in seven years. Pretty soon it’s going to start to feel repetitive. But it’s a great genre to experiment in as a filmmaker. You can pretty much do anything. That sense of freedom is inspirational.”
– Ti West

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

Radnor has crafted characters who live in the real world and not in some fantastical juvenile celluloid fabrication of it.

Sleepwalk with Me made me laugh, and as far as comedies are concerned that’s one attribute worthy of celebration no matter how nightmarish the ordeal the main character is going through might prove to be.

Ai Weiwei: Never Sorry isn’t perfect, but I’m not sure it needed to be, a man as complicated and as intriguing as Weiwei a fascinating enigma whom a complete picture of might never be developed.

There is no closure to Beasts of the Southern Wild, nothing to hold on to that I felt was satisfying. I love the fire and the passion it must have taken for Zeitlin and Alibar to bring the film to life, but that wasn’t enough as far as I was concerned.

Seeking a Friend for the End of the World is a movie I’m going to be treasuring for a very long time.

Banks is incredible, her performance the anchor that holds People Like Us together.