I won’t say The 5th Wave is the worst thing I’ll see this year, but it might be one of the films that ends up wasting the most inherent potential.

Ip Man 3 is a reminder just how talented this international superstar continues to be. [Donnie Yen’s] performance is glorious, the actor embodying this martial arts legend with grace, dignity, passion and charisma to burn. As wonderful as many of the other components might be, he remains the number one reason for interested viewers to watch this sequel and continues to be the primary one by which I wholeheartedly recommend they do just that.

The movie is a mixed bag, but one filled with imagination and ingenuity, and as such as nuts as Monster Hunt proves to be it’s also just enjoyable enough to make dealing with its wildly perverse lapses into pandemonium worth enduring.

Anomalisa is fascinating, and I cannot say I was ever bored by anything that Kaufman and Johnson were choosing to show me…This is as distinctive and as one-of-a-kind an endeavor as anything there is currently in theatres, and as such I do hope intrigued potential viewers seek the film out and give it a long, hard look.

Norm of the North a monumentally insipid misfire that’s proof that agreeing with the filmmakers’ point-of-view doesn’t mean one is going to enjoy the resulting motion picture, and parents taking their kids to watch this one better watch out for social services because buying them a ticket might be akin to a form of child abuse.

I don’t know what to make of 13 Hours: The Secret Soldiers of Benghazi other than to say it is as troublesome as it is impressive; and while I respect the director choosing to go out on this particular limb that doesn’t mean I believe he was the right person to undertake the job of doing so.

Cherry Tree is the pits, and there’s little more to say other than that.

If only The Forest wanted to be more than it is, attempted to explore the more interesting interpersonal emotional tangents it continually hints at wanting to look at yet infuriatingly never does, then maybe it could have been something glorious. Instead, the film feels more like an expertly crafted missed opportunity, a suspense opus filled with some solidly intriguing ideas that for some reason it refuses to investigate.

[45 Years] is a tale with no heroes, no villains, just one filled with life, loss, understanding and, most of all, love, Kate and Geoff’s journey towards their anniversary party as universal and as human as any that has ever graced the screen.