Madagascar 3, for all its chaos, for all its weirdly absurdist flights of fancy, still becomes the most relatable, dare I say the most human, of the trilogy, something I never would have expected before the movie started.

If Paul Williams Still Alive does feel a bit slight that has nothing to do with the man himself. A titanic figure in the music industry, he saunters through the film with a relaxed grace that’s mesmerizing.

Who are we? Where do we come from? Where do we go from here? Are we alone in the universe? These are just a few of the questions Prometheus asks, the end product not so much reaching for answers as it is more interested in reigniting the cooling embers of an age-old debate.

Safety Not Guaranteed is not your normal time travel comedy/drama/romance/mystery hybrid.

The Intouchables balances precipitously at the edge of melodramatic excess yet somehow never falls over into that particular ravine.

While not without faults, this feminist take on the classic Grimm tale is undeniably bewitching, and of 2012’s dueling adaptations, both of which ended up worthy of my attention, Snow White and the Huntsman is the fairest of the duo and the one I look forward to revisiting in the future.

What is shocking is just how entertaining Men in Black 3 turns out to be, and even though as sequels go it’s highly unnecessary, that didn’t make the smile on my face after watching it invisible.

Moonrise Kingdom has the potential to be a movie I’ll be pondering, mulling over and thinking about for the remainder of 2012. When all is said and done it might even enter into the upper echelon of the Wes Anderson canon.

Battleship is pure cheese, and while that doesn’t make it good that also doesn’t make it a disaster, and while the proceedings are certainly waterlogged beyond repair that doesn’t mean the vessel itself is in danger of sinking.