The Old Ways is an inherently human story, grounded in the perception and heritage of its protagonists.

Spielberg reasserts himself as one of the great visionaries of the past fifty years, hitting the streets of West Side Story with him an absolute pleasure I’m going to be singing the praises of for a very long time.

The Advent Calendar is another variation on the classic Richard Matheson short story Button, Button, only with an otherworldly demonic twist that’s straight out of Hellraiser.

A Castle for Christmas may be slight, but that doesn’t make it minor, and as yuletide presents go, this is one gift I’m happy I took the time to unwrap.

While Resident Evil: Welcome to Raccoon City has its moments, it doesn’t have enough of them to make watching the movie in its entirety worthwhile.

Encanto earns its tears, this aria to familial togetherness a loving concerto of community I’d happily hum along with whenever the opportunity to do so might arise.

Scott dares the audience to accept what he is doing, no questions asked, making House of Gucci a lethally deranged haute couture treatise on avarice, fashion, family and fame I’m going to be thinking about for a long time to come.

The Feast does not skimp on the blood and gore, the resulting mixture of social commentary and ghoulish mystical terror beautifully upsetting on a primal level.

King Richard is one of 2021’s best films. See it at once.