Freaky is an imaginative body-swap horror-comedy where thrills and chills relax comfortably alongside giggles and guffaws with intoxicating grace.

Let Him Go is a quiet meditation on grief, forgiveness, regret and family that managed to leave something of a noticeable impression, tragedy, joy, misery and sacrifice all melding into one, powerfully impactful emotional response richly deserving of a few empathetic tears.

Come Play ends up being a fun, frequently tense little genre shocker that’s also a sublime calling card for Chase that has me excited to see what he’ll get up to next.

I enjoyed what Lister-Jones accomplishes with The Craft: Legacy even if not everything she conjures up successfully manifests. There’s magic being performed by this quartet of young witches, and here’s my hope that the target audience is there to bear witness.

His House is something special, the line between forgiveness and punishment an ethereal enigma that’s as haunting as it is imperceptible.

Synchronic is a groovy psychedelic hallucinatory delight worth getting addicted to.

Rebecca left me wanting more, this emotionally flaccid retelling of one of literature’s greatest gothic romances a frustrating waste of time.

12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.

Sorkin’s latest directorial offering The Trial of the Chicago 7 is timely, engaging and undeniably thought-provoking. It is also spectacularly acted across the board.