Captain America: The First Avenger is an engaging sensation I didn’t want to end, and when the Avengers do assemble next year, here’s hoping their initial adventure is half as thrilling a spectacle as this one is.
Marvel’s Thor may be silly, but that doesn’t make it any less entertaining.
Marwencol is a journey into the subconscious of a man who doesn’t always know just how loudly he is speaking, and as such it is an empathetic story of triumph that continues to evolve as each day passes making this film an emotionally stunning achievement that ranks as one of the finest documentaries, and one of the best motion pictures, I’ve seen in all of 2010.
Like the original Iron Man 2 is a movie I don’t particularly mind but don’t exactly love, either, and if I didn’t say that in so many words in regards to the first film not doing so as far as this sequel goes isn’t a mistake I plan on making twice.
As for the action, Red Cliff shows once again that when he’s working at the top of his game there is no better maestro of this sort of thing than John Woo.
This is the real deal in action theatrics, Bigelow’s The Hurt Locker a pulse-pounding dynamo that puts all of Hollywood’s meager Summer 2009 offerings to immediate shame.
It’s an epic film I think is only going to improve as time goes by, and as cinematic revolutions go Che ranks up there as one of the ambitious director’s crowning achievements.
“When All is Said and Done,” the only thing that would make me happy is if a picture as bad as Mamma Mia! had the good fortune to meet a box office “Waterloo” befitting its loudly obnoxious crap-tacular style of storytelling ineptitude.
Tell No One is the type of thriller viewers won’t want to keep quiet about. In fact, if they have any sense they’re going to be screaming to see it again.