Anders Thomas Jensen’s Adam’s Apples was one of the best films I saw during the 2006 Seattle International Film Festival.
Almodóvar has crafted an instant classic. Volver is miraculous, a joyous enterprise running the emotional gauntlet like no other melodrama I’ve seen in ages.
V for Vendetta is a bold, unflinching portrait of a world viewers might not want to look at too closely. It is a place where the sights and sounds are so harsh and hard they make some cringe and weep for all they’ve suffered and lost.
Serenity is one of 2005’s most irresistible pleasures filled with strong performances, breathtaking action sequences, remarkably affecting emotional nuances and a collection of surprising twists and turns, Whedon crafting one of the most blissfully entertaining movies I’ve seen this year.
I can’t say it is perfect, and not all of the questions it raises are answered, but the same can unquestionably be said about the man it chronicles, Grizzly Man the type of human adventure that makes going into the cinematic wilderness fascinatingly worthwhile.
But with Mean Girls Waters and Fey do what they can to show scrubbing off one’s humanity for a mechanical glassy-eyed façade is something that should be avoided. In the end, life in plastic just isn’t worth the effort.
Elf isn’t Christmas cheer, it’s Christmas excrement, and here’s hoping it finds its way to the sewers as fast as possible.
Finding Nemo is a timeless film that again establishes Pixar as a true dream team where it comes to computer-animated filmmaking, their latest worth diving into the moment the box office opens and tickets go on sale.
City of God is a story about the nature and structure of continuous poverty and violence and the effects that combination has upon a society free to govern, protect and rule itself. It is Cidade de Deus’ tale, and Rocket, Lil’ Zé, Benny and the rest are only brief chapters in its narrative.