Hellions (2015)

by Sara Michelle Fetters - October 19th, 2015 - Movie Reviews

McDonald is just too talented to make a movie that’s a complete waste of time, and considering the obvious creep factor of the scenario I was intrigued as to where he and Trottier were going to take things. But [Hellions (2015)] just doesn’t have any weight, any meaning, never earning the sorrow-laced conclusion the final images hint at. I wanted more, the fact McDonald’s latest refused to give it to me an upsetting turn of events I admit I did not see coming.

McDonald is just too talented to make a movie that’s a complete waste of time, and considering the obvious creep factor of the scenario I was intrigued as to where he and Trottier were going to take things. But [Hellions (2015)] just doesn’t have any weight, any meaning, never earning the sorrow-laced conclusion the final images hint at. I wanted more, the fact McDonald’s latest refused to give it to me an upsetting turn of events I admit I did not see coming.

Return to Sender (2015)

by Sara Michelle Fetters - October 18th, 2015 - Blu-ray and DVD

Return to Sender is a bad movie. It’s script is hogwash. It hasn’t the courage to embrace its exploitation origins. It’s surprisingly misogynistic in many of the ways David Fincher’s Gone Girl potentially could have been yet fearlessly, ferociously never was…Director Fouad Mikati (Operation: Endgame) does what he can, allowing veteran cinematographer Russell Carpenter (Titanic) and dynamite composer Daniel Hart (Ain’t Them Bodies Saints) to work as magic as they can, but in the end it just isn’t enough, this thriller about as difficult to sit through as any movie I’ve seen this year.

Return to Sender is a bad movie. It’s script is hogwash. It hasn’t the courage to embrace its exploitation origins. It’s surprisingly misogynistic in many of the ways David Fincher’s Gone Girl potentially could have been yet fearlessly, ferociously never was…Director Fouad Mikati (Operation: Endgame) does what he can, allowing veteran cinematographer Russell Carpenter (Titanic) and dynamite composer Daniel Hart (Ain’t Them Bodies Saints) to work as magic as they can, but in the end it just isn’t enough, this thriller about as difficult to sit through as any movie I’ve seen this year.

Cinema Squabble Podcast #21

by Dennis Landmann - October 16th, 2015 - Podcast

Cinema Squabble is now legal – happening in Episode #21 (download .mp3): Squabblers Matt Oakes, Tim Hall, Sara Michelle Fetters and Adam Gehrke dig into the following releases: Pan | 99 Homes | Bridge of Spies | Crimson Peak | Goosebumps | Steve Jobs After, find out all the facts about the 10th annual Seattle […]

Cinema Squabble is now legal – happening in Episode #21 (download .mp3): Squabblers Matt Oakes, Tim Hall, Sara Michelle Fetters and Adam Gehrke dig into the following releases: Pan | 99 Homes | Bridge of Spies | Crimson Peak | Goosebumps | Steve Jobs After, find out all the facts about the 10th annual Seattle […]

Bridge of Spies (2015)

by Sara Michelle Fetters - October 16th, 2015 - Movie Reviews

Spielberg is in fine form with Bridge of Spies, his handling of the material confidently self-assured and magnetic. A stunning procedural, this is an intimate, engagingly personal thriller that held me spellbound first moment to last, building to a suitably tense climax upon the film’s titular location that’s as appropriate as it is divine.

Spielberg is in fine form with Bridge of Spies, his handling of the material confidently self-assured and magnetic. A stunning procedural, this is an intimate, engagingly personal thriller that held me spellbound first moment to last, building to a suitably tense climax upon the film’s titular location that’s as appropriate as it is divine.

Crimson Peak (2015)

by Sara Michelle Fetters - October 16th, 2015 - Movie Reviews

With top-notch performances from Wasikowska, Chastain and Hiddleston, featuring stellar technical efforts from the entire production team, del Toro has crafted a magnetic spellbinder that does the genre proud. [Crimson Peak is] one of the acclaimed director’s better efforts and, more than that, it’s also one of the year’s most memorably fascinating thrillers.

With top-notch performances from Wasikowska, Chastain and Hiddleston, featuring stellar technical efforts from the entire production team, del Toro has crafted a magnetic spellbinder that does the genre proud. [Crimson Peak is] one of the acclaimed director’s better efforts and, more than that, it’s also one of the year’s most memorably fascinating thrillers.

Goosebumps (2015)

by Sara Michelle Fetters - October 16th, 2015 - Movie Reviews

But the movie never lives up to its set pieces, and the last half hour is particularly insufferable. Third act twists land with a blandly mundane thud, and the visual freneticism is too nonsensical for its own good…While fans of the books, as well as younger viewers with a taste for the macabre, might disagree, for my part Goosebumps left me cold, the only rising fear I felt while watching it the sneaky suspicion decent box office might inspire the filmmakers to someday go through the process of creating a sequel.

But the movie never lives up to its set pieces, and the last half hour is particularly insufferable. Third act twists land with a blandly mundane thud, and the visual freneticism is too nonsensical for its own good…While fans of the books, as well as younger viewers with a taste for the macabre, might disagree, for my part Goosebumps left me cold, the only rising fear I felt while watching it the sneaky suspicion decent box office might inspire the filmmakers to someday go through the process of creating a sequel.

Momentum (2015)

by Sara Michelle Fetters - October 16th, 2015 - Movie Reviews

I’m not sure the cloak and dagger thriller Momentum (2015) would even classify as C-grade, let alone rising to B level, this routine action spectacular amazingly pointless. From a clearly slumming Freeman picking up a quick paycheck, to a set of secondary characters straight out of central casting, there’s so little new here it’s almost impressive just how inconsequential the resulting motion picture proves to be.

I’m not sure the cloak and dagger thriller Momentum (2015) would even classify as C-grade, let alone rising to B level, this routine action spectacular amazingly pointless. From a clearly slumming Freeman picking up a quick paycheck, to a set of secondary characters straight out of central casting, there’s so little new here it’s almost impressive just how inconsequential the resulting motion picture proves to be.

Steve Jobs (2015)

by Sara Michelle Fetters - October 16th, 2015 - Movie Reviews

Steve Jobs (2015) is an exhilarating spellbinder, moving at a fervent pace as it attempts to show genius and all that comes with it – the good, the bad and the decidedly in-between – as intimately as it can. In the end the orchestra being conducted are the audience’s own emotions, Boyle and Sorkin the clever maestros making beautiful music out of them for everyone to enjoy.

Steve Jobs (2015) is an exhilarating spellbinder, moving at a fervent pace as it attempts to show genius and all that comes with it – the good, the bad and the decidedly in-between – as intimately as it can. In the end the orchestra being conducted are the audience’s own emotions, Boyle and Sorkin the clever maestros making beautiful music out of them for everyone to enjoy.

Victoria (2015)

by Sara Michelle Fetters - October 16th, 2015 - Four-Star Corner Movie Reviews

The movie is a trick, of that there is no doubt, Schipper’s storytelling precision coupled with cinematographer Sturla Brandth Grøvlen’s detailed handheld camerawork beyond impressive. But if it were only this trick, only a visual device utilized to get curious cinemagoers inside the theatre, then the movie would be good, maybe a bit better than that, but not extraordinary, and that is exactly what Victoria (2015) is.

The movie is a trick, of that there is no doubt, Schipper’s storytelling precision coupled with cinematographer Sturla Brandth Grøvlen’s detailed handheld camerawork beyond impressive. But if it were only this trick, only a visual device utilized to get curious cinemagoers inside the theatre, then the movie would be good, maybe a bit better than that, but not extraordinary, and that is exactly what Victoria (2015) is.

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