Ai Weiwei: Never Sorry isn’t perfect, but I’m not sure it needed to be, a man as complicated and as intriguing as Weiwei a fascinating enigma whom a complete picture of might never be developed.

There is something so rudimentary about all of the running, jumping, falling, kicking and punching, something so tired about all the crashes, booms and bangs, the resulting two-hours of this new Total Recall have an oddly antiseptic quality which makes the subsequent film instantly, and somewhat ironically, forgettable.

Farewell, My Queen presents a side of the French Revolution I’ve never thought to ponder, this look behind the gates of Versailles oftentimes fascinating.

You get what you pay for with Step Up Revolution, and if one is willing to purchase a ticket, probably in 3D, chances are they won’t be disappointed.

While the movie does have its share of laughs, and even though there are some inspired moments, overall The Watch is a shockingly middling affair that oftentimes feels haphazardly slapped together.

The final hour of The Dark Knight Rises is a kinetic whirlwind of Shakespearian tragedy mixed with a Puccini opera.

Ice Age: Continental Drift isn’t very good, and if a fifth adventure ever ends up being made here’s hoping it follows in the footsteps of the other odd-numbered entries in the series and brings back the good-natured fun this fourth effort lacks.

There is no closure to Beasts of the Southern Wild, nothing to hold on to that I felt was satisfying. I love the fire and the passion it must have taken for Zeitlin and Alibar to bring the film to life, but that wasn’t enough as far as I was concerned.

Seeking a Friend for the End of the World is a movie I’m going to be treasuring for a very long time.