Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.

Charlie’s Angels is a celebration of diversity and empowerment that had me grinning like a happy 10-year-old.

Maybe Midway will play better at home, but as far as theatrical experiences covering a pivotal moment in WWII history are concerned Emmerich’s drama fails to hit the target, and I find this disappointing to say the least.

While I didn’t like Playing with Fire the kids in the audience did. Maybe that’s enough.

Terminator: Dark Fate is a well-made action film many are going to enjoy quite a bit, which likely means Sarah Connor will be back busting cybernetic heads before any of us know it.

I walked out of the promo screening a little angry, disappointed that Taylor’s Black and Blue never lived up to the potential it so deftly showcased for much of its 108-minute running time.

Gemini Man is the type of high-concept idea that were a dime a dozen back in the 1990s.

Faults, flaws and all this supposedly final chapter in the adventures of Mike Banning got the job done as far as I was concerned, and I’m honestly glad I took the time to give Angel Has Fallen a look.

Nekrotronic is a bizarre, fast-paced hoot, its slapdash devil-may-care storytelling dynamics oddly working for me more often than they did not.