The world Divergent depicts is hardly special or new, and while I am slightly curious to see what happens next I can’t say I’m enough so to proclaim I’d be all that bummed if the studio decided to forgo making the sequels and let things end with this.

Is it any surprise that Need for Speed is dumb movie?

Ambitious Empire Almost Rises to the Occasion 300: Rise of an Empire is, for the most part, set concurrently to the events depicted in Zack Snyder’s audacious, hugely successful (and somewhat influential) adaptation of Frank Miller’s graphic novel 300. Instead of focusing on one key event, however, this movie, also based on a Miller graphic […]

Absurd Non-Stop Somehow Still Flies High Federal Air Marshall Bill Marks (Liam Neeson) is having a bad day. He’s an alcoholic. He smokes too much. He doesn’t particularly care for his job anymore. For that matter, he doesn’t believe he’s still any good at it. The flight to London is one he doesn’t want to […]

Reimagined RoboCop Back Laying Down the Law There’s no doubt that a big budget remake of director Paul Verhoeven’s 1987 satirical, hyper-violent 1987 sci-fi classic RoboCop always felt like a bad idea. There was no way a Hollywood studio, in this case Sony Pictures and MGM, would allow any of the deep, dark, unsentimentally brutal […]

Jack Ryan: Shadow Recruit, clunky title aside, does a nice job of making Clancy’s hero relevant again. It brings him into the post-9/11 world with invigorating and suspenseful aplomb, and while Branagh’s effort doesn’t rise to the same heights as the two Phillip Noyce directed efforts with Ford, and is certainly light years away from the near-perfection of John McTiernan’s The Hunt for Red October, it’s still a solidly entertaining thriller that’s easy to enjoy.

Thing is, Lawrence doesn’t allow herself to go over the top into cartoonish histrionics, holding her own in every scene no matter what’s going on or who it is she’s sharing the frame with. The last image is all about her, the film closing on a fantastic transformative sight that showcases all who Katniss has been with all she is about to be become.

[The] only reason Thor: The Dark World exists is to start putting in place the building blocks leading to both Guardians of the Galaxy and 2015’s The Avengers: Age of Ultron. It’s the teaser leading to the epic conclusion, little things like character development and honest human emotions unimportant just as long as the seeds for coming chapters are cunningly sown.

Ender’s Game looks incredible, and the cast does their collective best, but the bad taste left in my mouth after it came to an end was unavoidably loathsome.