Wrath of Man is an ambitious head-scratcher, and whether that’s a recommendable compliment or an indictable offense I leave it up to you to decide.

“What I would really like is for audiences to spend an hour and 40 minutes with these characters and feel close to them. To look at them on the screen and relate in ways they are not expecting.”
– Ben Sharrock

Limbo sticks with you long after the screen fades to black.

Can a 30-second scene right at the tail-end of a motion picture derail what had been up to that point 90 minutes of solidly creepy, emotionally authentic old-school haunted house fun? The Banishing sure made me ponder that exact question.

Dench is the Six Minutes to Midnight’s not-so-secret weapon.

Something of an interstellar Lord of the Flies, after a somewhat rushed and lumpy start Neil Burger’s science fiction thriller Voyagers rights the ship and ends up traveling to an emotionally satisfying place.

The Courier feels authentic, and that’s what matters, Wynne’s everyman journey into the unimaginable the trip of a lifetime.

Promising Young Woman received five Academy Award nominations: Best Picture, Best Director, Best Actress, Best Original Screenplay and Best Editing. I think it deserves every single one of them.

There is a touching human dimension to The Vigil that brought tears to my eyes, the ghosts of past regrets and a refusal to allow grief-stricken wounds the time they need to heal the real villain hungering to feast on damaged souls crying out in continuous pain.