The three performances from Affleck, Segel and Johnson are ultimately what make Our Friend worthwhile.

Skyfire is a fast-paced disaster yarn overflowing in narrow escapes, sudden deaths and an overabundance of visual pyrotechnics.

Kirby’s magnificence alone makes Pieces of a Woman worthy of a look.

Douglas Trumball’s Silent Running is a flawed classic, but that still makes it a classic.

Fennell has delivered a gut-wrenching, must-see work of infuriated genius, and as painful as portions of Promising Young Woman were for me to experience, I’d happily go through the trauma of additional viewings as soon as the opportunity to do so arises.

If The Midnight Sky doesn’t shine as bright as maybe it could have, there was just enough sparkle to put a happy twinkle in my eye, and even with a noted absence of fuel Clooney’s latest still achieves emotionally cathartic liftoff.

The Dark and the Wicked isn’t a piece of light and fluffy horror entertainment. There are no rainbows here, Bryan Bertino’s latest more than living up to its title as being both agonizingly dark and paralyzingly wicked.

If Roland Emmerich’s outlandishly overblown 2009 hit 2012 and Roar Uthaug’s 2015 critical darling The Wave got together and had a baby, it would probably look a lot like Ric Roman Waugh’s goofy-if-grounded Gerard Butler disaster epic Greenland.

Collateral has held up brilliantly. A great film at the time of its release, Michael Mann’s seductively unsettling crime thriller has to my mind emerged as one of the the 21st century’s best pieces of pop entertainment.