The High Note is so much fun to watch any issues I have keep evaporating into the ether almost as if they never existed in the first place.

Cattaneo’s latest was a balm for my soul, injecting a dollop of joy into my heart while a happy tear or two ran down the side of my cheek. I liked Military Wives, and I’m happy to sing its praises as vociferously as I can.

Proximity is a visually striking disappointment, and as far as close encounters go this is one I’m not going to be ruminating on in any sort of detail anytime soon.

“When I read the script, Sarah Bolger is pretty much the only person I could see in the lead role.”
– Abner Pastoll

A Good Woman Is Hard to Find is easy to love, and from its rough pugilistic edges to its unvarnished cutthroat emotions there’s not a single facet of it that I don’t want to stand up and applaud.

How to Build a Girl made me happy, and right now that’s one positive I’m not about to close my ears to.

Wendy isn’t a modern spin on a classic tale of fantasy and wonder, it’s an outright nightmare I never want to think about ever again.

The final cry The Whistlers makes is one of forgiveness and grace, the unspoken connective pull of human understanding impossible to resist.

Just Mercy is a good film. Destin Daniel Cretton does a fine job balancing the many dramatic dynamics of his film, rarely allowing the proceedings to dip too far into maudlin melodrama or schmaltzy cliché, while at the same time Jaimie Foxx delivers one of the best performances of his Oscar-winning career.