
Just Mercy (2019)
by Sara Michelle Fetters - December 23rd, 2019 - Movie ReviewsBy challenging audiences to recognize and understand this fact Cretton is adding his voice to the growing chorus attempting to see that this happens, that in and of itself reason enough to give the Just Mercy a look.
By challenging audiences to recognize and understand this fact Cretton is adding his voice to the growing chorus attempting to see that this happens, that in and of itself reason enough to give the Just Mercy a look.

Little Women (2019)
by Sara Michelle Fetters - December 23rd, 2019 - Movie ReviewsThis Little Women kept me on my toes, and even though I’ve read Alcott’s novel multiple times and have watched Armstrong’s sublime adaptation on numerous occasions, I still felt like I was experiencing this tale for the first time while watching Gerwig’s film.
This Little Women kept me on my toes, and even though I’ve read Alcott’s novel multiple times and have watched Armstrong’s sublime adaptation on numerous occasions, I still felt like I was experiencing this tale for the first time while watching Gerwig’s film.

Uncut Gems (2019)
by Sara Michelle Fetters - December 23rd, 2019 - Movie ReviewsThere is nothing polite about brothers Benny Safdie and Josh Safdie’s newest hyper-adrenalized ticking clock drama Uncut Gems.
There is nothing polite about brothers Benny Safdie and Josh Safdie’s newest hyper-adrenalized ticking clock drama Uncut Gems.

The Aeronauts (2019)
by Sara Michelle Fetters - December 11th, 2019 - Movie ReviewsThe Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.
The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.

Queen & Slim (2019)
by Sara Michelle Fetters - November 27th, 2019 - Movie ReviewsQueen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines
Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

“Ford v Ferrari” – Interview with Robert Nagle
by Sara Michelle Fetters - November 23rd, 2019 - Interviews“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)
“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)

Honey Boy (2019)
by Sara Michelle Fetters - November 22nd, 2019 - Movie ReviewsHoney Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.
Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

Ford v Ferrari (2019)
by Sara Michelle Fetters - November 15th, 2019 - Movie ReviewsHitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.
Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.

The Good Liar (2019)
by Sara Michelle Fetters - November 15th, 2019 - Movie ReviewsBecause Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.
Because Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.