Antlers proves to be a visceral nightmare in which fantasy and reality collide and become one, while Cooper satiates my appetite for intelligently haunting terror with delectable aplomb.

The beat just felt a little off, and I can’t say I think that’s going to change if I were to give Last Night in Soho a second chance to win me over in the future.

Night Teeth is Collateral with fangs by way of Stephenie Meyer and, surprisingly enough, I don’t mean any of that as a negative.

Halloween Kills knows how to jolt an audience into fits of giggly yelps of fright, and watching this iconic villain do his thing with such calmly calculated ferocity is oftentimes bone-chilling.

V/H/S/94 is a gruesomely disquieting good time. I loved it.

Dementia 13 remains an oddity, but if that’s the case it’s a supremely entertaining one.

“I wanted to make something entertaining, but a film that also resonates emotionally.”
– Ruth Platt

Martyrs Lane walks down its own unique moonlit path with imaginative determination.

There are things about Nia DaCosta’s Candyman that I will not talk about.