The Devil Below is one of those films where I like the concept and the idea of it more than I do the finished product.

There is a touching human dimension to The Vigil that brought tears to my eyes, the ghosts of past regrets and a refusal to allow grief-stricken wounds the time they need to heal the real villain hungering to feast on damaged souls crying out in continuous pain.

“Nobody got cold feet about doing something super crazy, because you can’t go into something like this fearful.”
– Mike P. Nelson

But what The Funeral Home lacks in depth it more than makes up in style.

The Night has power, its unyieldingly disquieting unease a beauteous descent into a pitch-black psychological abyss from which there may be no escape.

While I’m sure many will miss the mutant hillbilly cannibals of the previous series, for my money this Virginia-set Wrong Turn is the superior backwoods sojourn into mayhem and madness.

Shadow in the Cloud was a surprisingly enjoyable flight of monstrous fancy that helped me start the year off with a happy smile.

The Dark and the Wicked isn’t a piece of light and fluffy horror entertainment. There are no rainbows here, Bryan Bertino’s latest more than living up to its title as being both agonizingly dark and paralyzingly wicked.

The Wolf of Snow Hollow has continued to grow on me. I had a marvelous time revisiting the film on Blu-ray, Jim Cummings’ small snowy town character study masquerading as a supernatural horror movie bringing a great big smile to my face.