The Wretched is a fun flick, and even if it didn’t leave a lasting impression that doesn’t mean I was any less entertained.

Witches in the Woods isn’t much fun to watch.

I still really like Sophia Takal’s down-and-dirty take on Black Christmas. It gets better for me with each viewing.

The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.

“I think Haley delivers a tour de force performance that will knock everyone’s socks off. She poured every iota of her soul into this project, and it’s transcendent to watch her.”
– Swallow writer/director Carlo Mirabella-Davis

Mirabella-Davis manages to bring all of the various themes he’s been exploring throughout Swallow to shockingly haunting culmination, all of which makes his insightful drama nothing less than unforgettable.

The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.

Pet Sematary II is nuts.

Brahms: The Boy II is a lazy sequel.