Like most horror anthologies, the first season of Creepshow is unsurprisingly hit-and-miss. But the hits, most notably “House of the Head,” “The Finger” and “The Man in the Suitcase,” are pretty terrific, while the misses are still just amusing enough to not get all that upset that they’re not nearly as strong as some of their counterparts are.

Holy freaking cow the technical aspects of this 4K Ultra HD version of Steven Spielberg’s War of the Worlds are nothing less than dazzling. From an audio-visual standpoint, this disc is perfect.

The Wretched is a fun flick, and even if it didn’t leave a lasting impression that doesn’t mean I was any less entertained.

Witches in the Woods isn’t much fun to watch.

I still really like Sophia Takal’s down-and-dirty take on Black Christmas. It gets better for me with each viewing.

The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.

“I think Haley delivers a tour de force performance that will knock everyone’s socks off. She poured every iota of her soul into this project, and it’s transcendent to watch her.”
– Swallow writer/director Carlo Mirabella-Davis

Mirabella-Davis manages to bring all of the various themes he’s been exploring throughout Swallow to shockingly haunting culmination, all of which makes his insightful drama nothing less than unforgettable.

The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.