Ad Astra is a daring bit of storytelling subterfuge that will only grow in resonance as time goes by, the final pieces of its complicated puzzle an emotional moonshot of catharsis and fury unlike anything I could have imagined trying to fit together beforehand.

Mega Time Squad is a lot of fun, this nutty little New Zealand effort a gonzo charmer I hope people take the time to see.

Alita: Battle Angel has its own sense of purpose and moves with a cagily confident self-awareness that’s wonderful.

There’s so much to love, so much that held me spellbound, the fact I’m sitting here annoyed that Mortal Engines never works nearly as well as it by all accounts early on looks as if it is going to has me lingering in a state perilously close to anger.

I keep trying to convince myself that I liked the science fiction road trip suspense-thriller Kin more than I actually did.

There’s a lot to applaud about The Darkest Minds, just not enough to believe audiences will give it the type of look it is going to need to need for 20th Century Fox to continue to adapt Bracken’s books anytime in the immediate future.

Upgrade is a total blast, and if in the coming years this bit of muscular, blood-soaked science fiction silliness were to spawn a sequel I’ll be first in line to see what sort of aggressively violent trouble Grey and STEM will get themselves into next.

While nowhere near the superlative achievement The Force Awakens, Rogue One and The Last Jedi proved to be, this latest anthology effort is nonetheless easy to enjoy, the joyful exuberance of Solo: A Star Wars Story difficult to rebel against.

The Endless goes places that are both eerily unexpected and emotionally affecting, the all-encompassing monstrous beauty of this spellbinding sci-fi thriller impossible to understate.