Early on House at the End of the Street had me intrigued. By the midsection I was completely captivated by it. But by the end? By that point I was ready to throw things at the screen and howl my disapproval at how wildly off the rails this Hitchcockian enterprise in suspense and terror had suddenly become.

For as confident as Jarecki’s handling of it all might be, and as breezily paced as Arbitrage is, it’s just too hard to get past the inherent sense of dramatic déjà vu that permeates the production.

Gritty Lawless a Blood-Soaked Hit According to legend, Forrest Bondurant (Tom Hardy) cannot be killed, surviving the Spanish Flu as a child while everyone else who got it wasn’t so lucky. His older brother Howard (Jason Clarke) is apparently equally indestructible, making it through some of the most horrific battles of the Great War virtually […]

The Apparition is a tediously uninspired ghostly mess, and in the cold light of day the wonder isn’t why it took so long for Warner Bros to put it into general release, but instead why they felt the need to do so at all.

Premium Rush is worth the price of admission and then some, this flick a two-wheeled thrill ride I can’t wait to see again.

It’s bravura filmmaking, and without question Compliance is one of the finest features I’ll likely see in all of 2012.

Cosmopolis may be a mess, but it’s still something of a glorious one, and for those willing to take the ride they’ll have ridden shotgun in a journey they’re unlikely to forget anytime soon.

It’s all a great deal of fun, but there is also no avoiding that The Bourne Legacy, an expansion of the universe begun with The Bourne Identity, does feel a bit inconsequential.

There is something so rudimentary about all of the running, jumping, falling, kicking and punching, something so tired about all the crashes, booms and bangs, the resulting two-hours of this new Total Recall have an oddly antiseptic quality which makes the subsequent film instantly, and somewhat ironically, forgettable.