I can’t say this Evil Dead will be as revered or as influential as its predecessor, but that doesn’t mean it isn’t without merit. Alvarez proves to be a horror filmmaker with passion, energy, style and vision, taking the Raimi/Campbell/Tapert concept into twisted new territory while at the same time paying just homage to the original trilogy at the exact same time.

My feelings towards Olympus Has Fallenaren’t exactly euphoric, and my reaction to the overall motion picture itself isn’t anywhere near positive. At the same time, for a schlock Die Hard variation (i.e. knockoff) Fuqua’s film isn’t anything close to a disaster, it’s too competently acted and directed for that to be the case. At the same, it’s also not anything even slightly special, making watching it more of thing to do when there’s nothing else to do than a necessity worthy of rushing out to the multiplex to experience.

Texas Chainsaw 3D isn’t just a bad movie, considering the potential evident during the first third and showcased during the final scene it’s also a disappointing one, the first wide release of 2013 a sad reminder that some wells just shouldn’t be returned to.

By the time the attack commenced my pulse was racing to such a degree I was worried I might be having a heart attack. Bigelow’s Zero Dark Thirty is a triumph. See it at once.

For 50 years James Bond’s thrilling escapades have stirred imaginations and kept audiences glued to the edge of their theater seats eager to discover what was going to happen next. Based on Skyfall, it wouldn’t surprise me if the British spy keeps on doing it better than anyone else for 50 more.

The Bay is a disgustingly suspenseful yarn that got under my skin, and I kept shivering long after I left the theatre.

Alex Cross is a bad film, and that’s all there is to say on the matter.

Argo is an immediate Best Picture frontrunner and one of 2012’s best films.

As amusing as Seven Psychopaths can be, as inspired as much of its grotesque carnage is, I’m not sold on the finished product.