The only thing that Ralph Breaks the Internet wrecked was my assumption the first film didn’t require a sequel, this animated jaunt into the online universe a complete and total delight.

“When we saw the way the very first audience was reacting to the movie, both with the laughter and the emotions, it was one of the greatest thrills of my life. I felt we made a movie that no one else could’ve made.”
– Sean Anders

Fantastic Beasts: The Crimes of Grindelwald lacks the sense of magic and mystery Rowling’s wizarding world has been noted for since its inception, and not even the divine trinity of Harry Potter, Ron Weasley and Hermione Granger would be powerful enough to make me believe watching this sequel could be anything close to worthwhile.

Instant Family is a marvelously enchanting drama overflowing in good vibes and even better intentions, all of it coming from a place of a truthful authenticity that’s nothing short of wonderful.

The final scenes of Widows have a haunting truthfulness that left me both shattered and hopeful in the exact same breath, the austere closing image a quiet plea for forgiveness, friendship and companionship that’s nothing short of flawless.

I like The Meg. I enjoy watching Jason Statham and his ragtag team of charming eccentrics battle their megalodon to the death. An unabashedly silly movie, Jon Turteltaub’s crazy little giant shark action spectacular almost can’t help but make me smile.

But for whatever reason Edgerton loses his way trying to adapt Boy Erased, and while numerous individual elements soar, and while his handling of actors remains close to perfect, the various pieces of this story never fit together as succinctly or as comfortably as they by all accounts should have.

Maybe my heart needs to grow a size or two, but this newest take on the Dr. Seuss classic The Grinch ended up being a pre-Thanksgiving present I honestly wish I’d never taken the time to open.

Outlaw King might not be Mackenzie’s finest hour behind the camera, but he’s still just too skilled a filmmaker to craft a motion picture that’s not at least somewhat worthwhile.