A Die Hard clone set inside a top-secret military installation that’s the last line of defense against Russian nuclear aggression, high-octane actioner Interceptor is a waste of time.

There is something undeniably wholesome about The Bob’s Burgers Movie, the warmth, love, and positivity that it exudes filling my soul with joy even if I knew some of the references and inside jokes were flying over my head.

I loved Top Gun: Maverick. This sequel hasn’t lost that loving feeling. It’s the best of the best, making this return flight to the danger zone a rapturous aerial extravaganza that frankly took my breath away.

Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.

I’m as shocked as anyone by just how much I adored Downtown Abbey: A New Era.

Maybe Firestarter is unadaptable?

The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.

It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.

The Bad Guys is an awful lot of fun.