Ghostbusters: Afterlife makes more good calls than bad, and for some viewers, when there’s something strange going on in the neighborhood, giving this legacy sequel a look might be the way to go.

Belfast filled my heart with joy, and there’s nothing better than that.

The Electrical Life of Louis Wain is a suitably strange biopic that goes out of its way to emulate the documented idiosyncratic peculiarities of its subject. It’s also a movie I wish I enjoyed far more than I frustratingly did.

Passing lives in the brief looks that one woman wistfully gives to the other, the hidden message behind each of these momentary glances guaranteed to linger in my memory for a long time to come.

Dead & Beautiful has bite, and in this instance that’s enough to warrant a look.

I gave Red Notice my full attention, and all it gave me back was a headache.

Eternals shoots for the stars, and if the finished feature isn’t quite out of this world, it’s still close enough to getting there that my interest in seeing where these characters go next is exceedingly high.

Antlers proves to be a visceral nightmare in which fantasy and reality collide and become one, while Cooper satiates my appetite for intelligently haunting terror with delectable aplomb.

The beat just felt a little off, and I can’t say I think that’s going to change if I were to give Last Night in Soho a second chance to win me over in the future.