Spaceship Earth adds an intriguing dimension to ideas of self-isolation and the ways humans respond to confinement in the face of ecological disaster, pondering questions like these feeling fairly appropriate when considering current events.

I found Valley Girl, like, totally disappointing, an unexpected turn of events that’s grody to the max, for sure.

The Wretched is a fun flick, and even if it didn’t leave a lasting impression that doesn’t mean I was any less entertained.

Wendy isn’t a modern spin on a classic tale of fantasy and wonder, it’s an outright nightmare I never want to think about ever again.

The final cry The Whistlers makes is one of forgiveness and grace, the unspoken connective pull of human understanding impossible to resist.

Witches in the Woods isn’t much fun to watch.

Trolls World Tour rarely allowed me to catch my breath. It even more seldomly put anything that was happening into coherent perspective.

Never Rarely Sometimes Always is a magnificent piece of culturally observational storytelling that is purposefully raw in its depictions of female friendships in the face of extreme physical and emotional crisis.

Ride Like a Girl is a victorious gem, sprinting to the finish line with a gleeful enthusiasm that’s downright infectious.