The Vast of Night is a fast-paced genre excursion into the mysterious unknown. It held me breathlessly spellbound for almost 90 minutes, the haunting nature of the questions it enthusiastically asks as prescient and as essential now as they ever were back during the McCarthyism 1950s time period in which this tale is set.

Cattaneo’s latest was a balm for my soul, injecting a dollop of joy into my heart while a happy tear or two ran down the side of my cheek. I liked Military Wives, and I’m happy to sing its praises as vociferously as I can.

Proximity is a visually striking disappointment, and as far as close encounters go this is one I’m not going to be ruminating on in any sort of detail anytime soon.

A Good Woman Is Hard to Find is easy to love, and from its rough pugilistic edges to its unvarnished cutthroat emotions there’s not a single facet of it that I don’t want to stand up and applaud.

How to Build a Girl made me happy, and right now that’s one positive I’m not about to close my ears to.

Spaceship Earth adds an intriguing dimension to ideas of self-isolation and the ways humans respond to confinement in the face of ecological disaster, pondering questions like these feeling fairly appropriate when considering current events.

I found Valley Girl, like, totally disappointing, an unexpected turn of events that’s grody to the max, for sure.

The Wretched is a fun flick, and even if it didn’t leave a lasting impression that doesn’t mean I was any less entertained.

Wendy isn’t a modern spin on a classic tale of fantasy and wonder, it’s an outright nightmare I never want to think about ever again.