Dora and the Lost City of Gold is superb, and here’s hoping this live-action teenage take on the material is a modest hit, if only because selfishly I want to watch this pint-sized adventurer head out into the wilds to continue her exploring immediately.

While not for everyone, Ladyworld ended up getting to me, it’s freeze-frame conclusion nothing less than disquietly marvelous.

I just can’t deal with Hobbs & Shaw. It wore me down to the point I wanted to gnaw through my seat’s armrests as I kept praying for it to end.

The majority of the characters in Trespassers weren’t ones I wanted to spend that much time with, and other than Sarah I had to look long and hard to find anything approaching a redeeming quality in just about any of them.

By the time Tarantino played fast and loose with history and ramped up his masculine Los Angeles fairy tale to bloodily gruesome new heights, Once Upon a Time…in Hollywood had pretty much lost me, and I suddenly realized this was one bit of loopy pulp fiction I could have done without.

“Everyone is also all so funny and so good. They’re all very capable actors and improvisers. It was always surprising. The events happened in the moment and I think that you can feel that. ”
– Marc Maron

“I think so many people going into the movie might feel one way, and feel very strongly that way. By the end of the movie, it’s not that I hope the movie changes their mind, but I hope that it at least puts a question mark there. That they’re saying, maybe I don’t know everything, and maybe that’s not the point.”
– Lulu Wang

The Art of Self-Defense is a strange little comedy I couldn’t have disliked even if I had wanted to try to do so, Stearns’ latest a gleeful bit of martial arts rebellion I’m excited to see again.

The Farewell is one of the best films of 2019. Heck, it might even be one of the best of the entire decade.