Pompeii (2014)

by Sara Michelle Fetters - February 21st, 2014 - Movie Reviews

Fiery Pompeii a Volcanic Star-Crossed Love Story For a disaster movie, based on an actual historical event, no less, Pompeii is remarkably restrained. For a gladiator-slash-revenge-slash-star-crossed-lovers-love-story directed by the man behind Resident Evil, Event Horizon, Alien vs. Predator and Mortal Kombat, Paul W.S. Anderson, it is shockingly even more so. Sure it is in 3-D. […]

Fiery Pompeii a Volcanic Star-Crossed Love Story For a disaster movie, based on an actual historical event, no less, Pompeii is remarkably restrained. For a gladiator-slash-revenge-slash-star-crossed-lovers-love-story directed by the man behind Resident Evil, Event Horizon, Alien vs. Predator and Mortal Kombat, Paul W.S. Anderson, it is shockingly even more so. Sure it is in 3-D. […]

The Wind Rises (2014)

by Sara Michelle Fetters - February 21st, 2014 - Movie Reviews

This movie is a titanic achievement that I’m still mulling over, so many pieces of it speaking with such unabashed eloquence calling the finished film an instant classic is almost a no-brainer.

This movie is a titanic achievement that I’m still mulling over, so many pieces of it speaking with such unabashed eloquence calling the finished film an instant classic is almost a no-brainer.

About Last Night (2014)

by Sara Michelle Fetters - February 14th, 2014 - Movie Reviews

Hart’s On Fire in Latest Journey Into Night It’s not a huge secret to say I’m a little over Kevin Hart. I hated Ride Along. I thought he was fine in Grudge Match if not doing anything remotely unexpected (or memorable). His supporting turn in The Five-Year Engagement didn’t do anything for me one way […]

Hart’s On Fire in Latest Journey Into Night It’s not a huge secret to say I’m a little over Kevin Hart. I hated Ride Along. I thought he was fine in Grudge Match if not doing anything remotely unexpected (or memorable). His supporting turn in The Five-Year Engagement didn’t do anything for me one way […]

Winter’s Tale (2014)

by Sara Michelle Fetters - February 14th, 2014 - Movie Reviews

Head-Scratching Winter’s Tale an Unforgivable Disaster Wow. Double-wow. Wow with cream and sugar and as many other syrupy, saccharine and calorie-filled toppings that I can think of slathered shamelessly on top. Honestly? I don’t know what to say. Winter’s Tale, as handsomely mounted as it is, as wonderfully acted as it might be (save an […]

Head-Scratching Winter’s Tale an Unforgivable Disaster Wow. Double-wow. Wow with cream and sugar and as many other syrupy, saccharine and calorie-filled toppings that I can think of slathered shamelessly on top. Honestly? I don’t know what to say. Winter’s Tale, as handsomely mounted as it is, as wonderfully acted as it might be (save an […]

Robocop (2014)

by Sara Michelle Fetters - February 12th, 2014 - Movie Reviews

Reimagined RoboCop Back Laying Down the Law There’s no doubt that a big budget remake of director Paul Verhoeven’s 1987 satirical, hyper-violent 1987 sci-fi classic RoboCop always felt like a bad idea. There was no way a Hollywood studio, in this case Sony Pictures and MGM, would allow any of the deep, dark, unsentimentally brutal […]

Reimagined RoboCop Back Laying Down the Law There’s no doubt that a big budget remake of director Paul Verhoeven’s 1987 satirical, hyper-violent 1987 sci-fi classic RoboCop always felt like a bad idea. There was no way a Hollywood studio, in this case Sony Pictures and MGM, would allow any of the deep, dark, unsentimentally brutal […]

The LEGO Movie (2014)

by Sara Michelle Fetters - February 7th, 2014 - Movie Reviews

Imagination Runs Wild in Idiosyncratic LEGO Movie I can’t say I was looking forward to The LEGO Movie. Much like Transformers or G.I. Joe: The Rise of Cobra (or their sequels), the whole idea seemed like nothing more than an extended commercial solely engineered to sell millions of dollars in toys and nothing else. As […]

Imagination Runs Wild in Idiosyncratic LEGO Movie I can’t say I was looking forward to The LEGO Movie. Much like Transformers or G.I. Joe: The Rise of Cobra (or their sequels), the whole idea seemed like nothing more than an extended commercial solely engineered to sell millions of dollars in toys and nothing else. As […]

Monuments Men (2014)

by Sara Michelle Fetters - February 7th, 2014 - Movie Reviews

Clooney’s Monuments Men a Well-Intentioned Disappointment George Clooney’s latest directorial effort The Monuments Men is both too much and too little both at the exact same time. The film is an episodic endeavor attempting to tell a story much larger and more fragmented than its 118 minute running time allows to be easily processed. At […]

Clooney’s Monuments Men a Well-Intentioned Disappointment George Clooney’s latest directorial effort The Monuments Men is both too much and too little both at the exact same time. The film is an episodic endeavor attempting to tell a story much larger and more fragmented than its 118 minute running time allows to be easily processed. At […]

Vampire Academy (2014)

by Sara Michelle Fetters - February 7th, 2014 - Movie Reviews

Bloodless Vampire Academy Doesn’t Make the Grade Vampire Academy isn’t so much bad as it is pointless. A weird amalgam of Mean Girls, a Harry Potter adventure and a random episode of “Buffy the Vampire Slayer,” director Mark Waters and writer Daniel Waters have taken author Richelle Mead’s popular source material and not done a […]

Bloodless Vampire Academy Doesn’t Make the Grade Vampire Academy isn’t so much bad as it is pointless. A weird amalgam of Mean Girls, a Harry Potter adventure and a random episode of “Buffy the Vampire Slayer,” director Mark Waters and writer Daniel Waters have taken author Richelle Mead’s popular source material and not done a […]

Labor Day (2013)

by Sara Michelle Fetters - January 31st, 2014 - Movie Reviews

Winslet is superb. She doesn’t cut corners, refuses to soften the edges, making sure Adele doesn’t become some sort of caricature of feminine regret and disappointment while at the same time not asking the audience to warm to her in ways that would feel forced or unnatural.

Winslet is superb. She doesn’t cut corners, refuses to soften the edges, making sure Adele doesn’t become some sort of caricature of feminine regret and disappointment while at the same time not asking the audience to warm to her in ways that would feel forced or unnatural.

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