Harley Quinn’s emancipation and the birth of a new group of female crimefighters is one I happily stand to applaud, and if this ragtag group’s adventures continue in the future trust I’ll be first in line to witness them firsthand.

The Rhythm Section just can’t keep the beat, and for a composition that initially showed so much promise for things to ultimately fall so flat the likelihood I’ll be playing this record again anytime soon is understandably slim.

The Gentlemen races towards an inventive conclusion that brought a smile to my face and sent me out of the theatre with a skip in my step. Ritchie returns to his Brit crime caper roots with thrilling aplomb.

Bad Boys for Life is an enjoyable action-comedy throwback that remembers to put its two main characters first and all of the adrenaline-fueled theatrics second. It’s a heck of a lot of fun.

1917 is magnificent.

Jumanji: The Next Level continues a story begun way back in 1995 with wit, intelligence, imagination and creativity, and I’m honestly a little shocked to admit that I cannot wait to see where things go next.

The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.

“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)

Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.