All I do know is that The Predator might be one of the more stupefying and frustrating disappointments of 2018, and a big part of me kind of wishes I hadn’t watched it in the first place.
I keep trying to convince myself that I liked the science fiction road trip suspense-thriller Kin more than I actually did.
There’s a lot to applaud about The Darkest Minds, just not enough to believe audiences will give it the type of look it is going to need to need for 20th Century Fox to continue to adapt Bracken’s books anytime in the immediate future.
Ant-Man and the Wasp is a breezy, fast-paced sequel that goes out of its way to provoke buckets of laughter and massive sighs of wide-eyed awe in pretty in equal measure. It’s a fun film, and other than that I have little more to say.
While no one is going to win an Academy Award for their efforts the collective authenticity of the primary cast is never in doubt, and as such caring about whether they live or die is surprisingly easy to do.
Upgrade is a total blast, and if in the coming years this bit of muscular, blood-soaked science fiction silliness were to spawn a sequel I’ll be first in line to see what sort of aggressively violent trouble Grey and STEM will get themselves into next.
What I will say is that, much like the first film, I’m totally fine with Deadpool 2, readily enjoying much of it. But that still doesn’t mean I plan on revisiting this sequel anytime soon.
I cannot get past the simple truth that, in the end, as bad as it all appears, as amazing as the heroics might be and as astonishing as the fighting is, nothing happens in Avengers: Infinity War, all of the answers to the various questions aggressively put forth by the filmmakers to be answered in future MCU endeavors yet to be released.
While a step up from Cline’s book, and while Spielberg does make a number of attempts to comment and dissect many of the more noxious elements regarding gender and race that are found inside the story, Ready Player One never seems to be fully able to reconcile any of its major themes in ways that aren’t either condescending or offensive.