Beats is more than a visual or musical showcase, it’s a character-driven one as well, the events of this crazy night back in 1994 not nearly as divorced from today’s protest-charged reality as casual viewers might initially surmise.

Yet it is just as equally misguided, and for all its good intentions, star power and expert cinematic craftsmanship, Irresistible is a milquetoast political satire I refuse to endorse.

Sometimes Always Never becomes stealthily unforgettable, this peculiar story an intimately human tale of family (and Scrabble!) that plays itself out like a winsome daydream tenderly coupled in the arms of a long-lost love.

Infamous a mediocre movie that deserves to fade into oblivion as if it never existed in the first place, the fewer followers it ends up having the more likely that outcome is going to be.

While an ambitious enterprise with royal aspirations to greatness, The King of Staten Island never earned its crown, and as such my fidelity to its ruling authority is practically nonexistent.

Shirley paints the author with an insightfully lush and vibrant brush, her relationship with Rose allowing for a level of empathetic understanding that makes enduring all those ethereal metaphorical ghouls, ghosts and demons magnetically worthwhile.

The High Note is so much fun to watch any issues I have keep evaporating into the ether almost as if they never existed in the first place.

Cattaneo’s latest was a balm for my soul, injecting a dollop of joy into my heart while a happy tear or two ran down the side of my cheek. I liked Military Wives, and I’m happy to sing its praises as vociferously as I can.

Proximity is a visually striking disappointment, and as far as close encounters go this is one I’m not going to be ruminating on in any sort of detail anytime soon.