Argo is an immediate Best Picture frontrunner and one of 2012’s best films.

Chicken with Plums is frequently mystifying, yet it still remains an emotionally captivating marvel in all the ways that matter most.

From the vast landscapes to the creases lurking at the corner of a person’s smile, all of it matters, the internal intricacies of the human condition revealed in visual layers that continually caught me by surprise.

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

Pitch Perfect hits most of the right notes, and because of this ends up being as smoothly enjoyable as anything currently playing in theatres at this moment.

There’s an important story lurking inside Won’t Back Down, but Barnz and Hill apparently weren’t the duo to tell it, the filmmakers failing their final exam so spectacularly they might as well have flunked right out of school.

“Adolescence, first kisses, how we meet the love of our lives, it’s always interesting. Always. Remember that.”
– Stephen Chbosky

I’m not entirely sure I’ve felt more kinship with a motion picture in recent memory than I have with screenwriter and director Stephen Chbosky’s stunning adaption of his own 1999 novel The Perks of Being a Wallflower.

I’m having a hard time trying to write a review of longtime Clint Eastwood producing partner Robert Lorenz’s directorial debut Trouble with the Curve.