Sunset (2018)

by Sara Michelle Fetters - April 19th, 2019 - Four-Star Corner Movie Reviews

Sunset is a daring, thought-provoking motion picture that overflows in disturbing resonance, Nemes drawing parallels between the personal saga of a woman looking for answers to questions she didn’t even initially know, the birth of WWI and the groundwork for the fascist resurgence we’re seeing in the United States and several European countries right this very second here in the 21st century over a hundred years after this story is set.

Sunset is a daring, thought-provoking motion picture that overflows in disturbing resonance, Nemes drawing parallels between the personal saga of a woman looking for answers to questions she didn’t even initially know, the birth of WWI and the groundwork for the fascist resurgence we’re seeing in the United States and several European countries right this very second here in the 21st century over a hundred years after this story is set.

Long Day’s Journey Into Night (2018)

by Sara Michelle Fetters - April 17th, 2019 - Movie Reviews

Long Day’s Journey Into Night is a piece of cinematic poetry where every syllable, every beat, has wormed its way into my soul and has aggressively refused to release its vice-like grip. It is a divine exercise in acrobatic filmmaking eccentricity, seeing this film in all its theatrical glory a feat of storytelling legerdemain few who witness it firsthand will soon forget.

Long Day’s Journey Into Night is a piece of cinematic poetry where every syllable, every beat, has wormed its way into my soul and has aggressively refused to release its vice-like grip. It is a divine exercise in acrobatic filmmaking eccentricity, seeing this film in all its theatrical glory a feat of storytelling legerdemain few who witness it firsthand will soon forget.

Out of Blue (2018)

by Sara Michelle Fetters - April 12th, 2019 - Movie Reviews

Out of Blue is something imaginative and unique even as it traverses some fairly rudimentary determined cop murder mystery thriller terrain. Whether this is a positive or a negative I cannot say.

Out of Blue is something imaginative and unique even as it traverses some fairly rudimentary determined cop murder mystery thriller terrain. Whether this is a positive or a negative I cannot say.

Upgrade (2018)

by Sara Michelle Fetters - June 11th, 2018 - Movie Reviews

Upgrade is a total blast, and if in the coming years this bit of muscular, blood-soaked science fiction silliness were to spawn a sequel I’ll be first in line to see what sort of aggressively violent trouble Grey and STEM will get themselves into next.

Upgrade is a total blast, and if in the coming years this bit of muscular, blood-soaked science fiction silliness were to spawn a sequel I’ll be first in line to see what sort of aggressively violent trouble Grey and STEM will get themselves into next.

The Endless (2017)

by Sara Michelle Fetters - April 27th, 2018 - Movie Reviews

The Endless goes places that are both eerily unexpected and emotionally affecting, the all-encompassing monstrous beauty of this spellbinding sci-fi thriller impossible to understate.

The Endless goes places that are both eerily unexpected and emotionally affecting, the all-encompassing monstrous beauty of this spellbinding sci-fi thriller impossible to understate.

Annihilation (2018)

by Sara Michelle Fetters - February 23rd, 2018 - Movie Reviews

Allowing Portman the freedom to deliver a performance that shifts and evolves like the landscape she is investigating, Annihilation is a piece of science fiction cinematic wonderment I’ll have trouble forgetting, it’s ultimate destination one of self-inflicted humanistic absolution worthy of additional examination.

Allowing Portman the freedom to deliver a performance that shifts and evolves like the landscape she is investigating, Annihilation is a piece of science fiction cinematic wonderment I’ll have trouble forgetting, it’s ultimate destination one of self-inflicted humanistic absolution worthy of additional examination.

Murder on the Orient Express (2017)

by Sara Michelle Fetters - November 9th, 2017 - Movie Reviews

Even if some of the plot points feel a little underdeveloped, and even though a few of the characters never spring to life the same way here as they do in the novel, the director still does Christie proud, his version of Murder on the Orient Express a gorgeously widescreen old school mystery I’d happily watch again right this second.

Even if some of the plot points feel a little underdeveloped, and even though a few of the characters never spring to life the same way here as they do in the novel, the director still does Christie proud, his version of Murder on the Orient Express a gorgeously widescreen old school mystery I’d happily watch again right this second.

Reset (2017)

by Sara Michelle Fetters - June 30th, 2017 - Movie Reviews

Reset works, there’s really nothing else to say, this ticking clock thriller a timely leap into the human abyss that proves once again a parent’s love for their child is as undying as it is also potentially unstoppable.

Reset works, there’s really nothing else to say, this ticking clock thriller a timely leap into the human abyss that proves once again a parent’s love for their child is as undying as it is also potentially unstoppable.

Arrival (2016)

by Sara Michelle Fetters - November 11th, 2016 - Movie Reviews

Time is never what it appears yet always remains of the essence no matter what transpires, Arrival inhabiting that place between the seconds where the future is an imaginative possibility and hope is the improbable foundation greatness is built upon.

Time is never what it appears yet always remains of the essence no matter what transpires, Arrival inhabiting that place between the seconds where the future is an imaginative possibility and hope is the improbable foundation greatness is built upon.

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