Vice Squad is a product of its time. It’s an ugly film, one that digs into the muck and mire of the world it presents with almost gleeful gusto. All of which makes it easy to understand how Gary Sherman’s dramatic thriller has somehow stood the test of time.

Beck and Woods have made a nice little genre gem with Haunt, and I look forward to picking this one up for my personal library so I can revel in all its nifty tricks and treats again relatively soon.

Ad Astra is a daring bit of storytelling subterfuge that will only grow in resonance as time goes by, the final pieces of its complicated puzzle an emotional moonshot of catharsis and fury unlike anything I could have imagined trying to fit together beforehand.

“I want to please people, sure, but I also what to say to them, wake up! Look under the surface. Look how aggressive and violent our society is. It’s just so anti-life, it lacks tenderness and nuance. We literally have to talk about things like this with monster stories because it’s too delicate a topic.”
– Larry Fessenden

Fessenden has composed a mesmerizing little riff on the Frankenstein myth, and over 200 years after its first publication Depraved makes it clear there’s still plenty of electrifying life in Shelley’s classic tale, life audiences will likely keep thrilling to for untold generations to come.

Faults, flaws and all this supposedly final chapter in the adventures of Mike Banning got the job done as far as I was concerned, and I’m honestly glad I took the time to give Angel Has Fallen a look.

Ready or Not is a masterfully entertaining game of subterfuge, innuendo, romance and survival where the ultimate winners are the viewers who bought themselves a ticket to see it get played.

Nekrotronic is a bizarre, fast-paced hoot, its slapdash devil-may-care storytelling dynamics oddly working for me more often than they did not.

This “Universal Horror Collection: Volume 1” is one of the all-time great collections Scream! Factory has ever put together.