Sunset is a daring, thought-provoking motion picture that overflows in disturbing resonance, Nemes drawing parallels between the personal saga of a woman looking for answers to questions she didn’t even initially know, the birth of WWI and the groundwork for the fascist resurgence we’re seeing in the United States and several European countries right this very second here in the 21st century over a hundred years after this story is set.

Out of Blue is something imaginative and unique even as it traverses some fairly rudimentary determined cop murder mystery thriller terrain. Whether this is a positive or a negative I cannot say.

Mega Time Squad is a lot of fun, this nutty little New Zealand effort a gonzo charmer I hope people take the time to see.

The first wide release of 2019, director Adam Robitel’s Escape Room is an inventive little horror-thriller that has a fair amount of fun with its somewhat familiar premise.

This next chapter of the Halloween story is undeniably its own distinctive thing, Michael and Laurie’s return to greatness as thrillingly bloodcurdling as it is joyfully welcome.

I keep trying to convince myself that I liked the science fiction road trip suspense-thriller Kin more than I actually did.

There’s a lot to applaud about The Darkest Minds, just not enough to believe audiences will give it the type of look it is going to need to need for 20th Century Fox to continue to adapt Bracken’s books anytime in the immediate future.

While no one is going to win an Academy Award for their efforts the collective authenticity of the primary cast is never in doubt, and as such caring about whether they live or die is surprisingly easy to do.

The Endless goes places that are both eerily unexpected and emotionally affecting, the all-encompassing monstrous beauty of this spellbinding sci-fi thriller impossible to understate.