Pierrot le Fou is frustrating and annoying, yes, but it is also spectacular and thought-provoking and features a spellbinding performance from Anna Karina.

This is the real deal in action theatrics, Bigelow’s The Hurt Locker a pulse-pounding dynamo that puts all of Hollywood’s meager Summer 2009 offerings to immediate shame.

Tell No One is the type of thriller viewers won’t want to keep quiet about. In fact, if they have any sense they’re going to be screaming to see it again.

Aliens versus Predator: Requiem is a bad movie.

Within the framework of this film it truly is No Country for Old Men, and as that harsh realization presents itself the only emotion left is a form of quietly overpowering grief.

Blade Runner is a brilliant amalgamation of sci-fi splendor and modern-day strum and drag, Scott melding it all into a poetic sensory symphony so spectacular it’s easy to see why the picture hasn’t lost a single bit of its timeless resonance.

30 Days of Night is a marvelously bloodcurdling horror show I can’t wait to sink my teeth into again.

Eastern Promises is one of the year’s best motion pictures.

In what has become known as the “Summer of Sequels,” Universal Pictures, director Greengrass and star Damon have thankfully saved the very best for last, The Bourne Ultimatum a knock-out stunner I’ve been waiting since May to see.