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Unforgettables: Cinematic Milestones #3 – Victor/Victoria (1982)
by Sara Michelle Fetters - April 27th, 2022 - FeaturesVictor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time
Victor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time
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The Bad Guys (2022)
by Sara Michelle Fetters - April 22nd, 2022 - Movie ReviewsThe Bad Guys is an awful lot of fun.
The Bad Guys is an awful lot of fun.
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The Northman (2022)
by Sara Michelle Fetters - April 22nd, 2022 - Movie ReviewsA sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.
A sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.
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The Unbearable Weight of Massive Talent (2022)
by Sara Michelle Fetters - April 22nd, 2022 - Movie ReviewsCage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.
Cage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.
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Virus: 32 (2022)
by Sara Michelle Fetters - April 22nd, 2022 - Movie ReviewsGustavo Hernández’s latest shocker Virus: 32 is an effectively unsettling slice of bloody run-and-hide zombie horror that had me squirming in my seat.
Gustavo Hernández’s latest shocker Virus: 32 is an effectively unsettling slice of bloody run-and-hide zombie horror that had me squirming in my seat.
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We’re All Going to the World’s Fair (2021)
by Sara Michelle Fetters - April 20th, 2022 - Film Festivals Movie ReviewsThemes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.
Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.
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Wyrmwood: Apocalypse (2021)
by Sara Michelle Fetters - April 15th, 2022 - Movie ReviewsWhile not nearly as fresh as its predecessor, this second helping of blood-splattered dystopian craziness is still a decent bit of fun.
While not nearly as fresh as its predecessor, this second helping of blood-splattered dystopian craziness is still a decent bit of fun.
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Ambulance (2022)
by Sara Michelle Fetters - April 8th, 2022 - Movie ReviewsI had a blast while watching Ambulance. This crazed shot of pure melodramatically idiotic adrenaline was just what I needed, the thunderous roar of every engine a fast and furious joy worth getting excited about.
I had a blast while watching Ambulance. This crazed shot of pure melodramatically idiotic adrenaline was just what I needed, the thunderous roar of every engine a fast and furious joy worth getting excited about.
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Cow (2021)
by Sara Michelle Fetters - April 8th, 2022 - Movie ReviewsCow is extraordinary.
Cow is extraordinary.