The New Girlfriend might not showcase [François Ozon] at his best, but it does feature him continuing to try and tell stories many of his contemporaries would shy away from, this film finally ending up as a courageous saga of friendship, acceptance and identity I was happily captivated by.

[What] is here is enjoyable if taken on its own terms, much of Jane Got a Gun playing out with a 1940s or ‘50s Hollywood élan I found more than satisfying. The movie is a Western made for Western fans, and I have no problem with that whatsoever.

Kansas City Confidential is a seriously great motion picture totally deserving of its status as a noir classic, standing the test of time in ways few similar efforts have.

[The] stuff that does work in The Finest Hours is so solid, so deliciously crafted, so splendidly acted this obvious climactic misstep isn’t near as disastrous as it could have been, the film itself still a rousing tale of sacrifice, ingenuity and heroism I couldn’t help but enjoy.

Kung Fu Panda 3 concludes on a definite high note, filled with eye-popping animated set pieces as well as thrilling story beats that I was perfectly entertained by. If it is the end of the road for this particular hero, he certainly goes out a winner. In other words, this sequel is a total Skadoosh! and there’s not a heck of a lot more to add.

“I like to explore relationships. I like to explore how we understand ourselves through these relationships.”

But it’s all for naught, and while I can’t say what transpires ends up making The Boy a bad film, it does have the unfortunate effect of making it a less interesting one, one I’m not altogether certain is worthy of the second look a big part of me wants to grant it.

While this story is smothered in tragedy, there is something poignant and cathartic about what Saul is attempting to achieve, all of it speaking to a form of spirituality and faith that crosses religious barriers to become something universal and timeless.

“I want [people] to realize that this is something different. I want them to be open to the experience of Anomalisa, that they connect with it, that they don’t limit themselves to the conventions of what animation or drama are supposed to be. That would be great.”