While this story is smothered in tragedy, there is something poignant and cathartic about what Saul is attempting to achieve, all of it speaking to a form of spirituality and faith that crosses religious barriers to become something universal and timeless.

“I want [people] to realize that this is something different. I want them to be open to the experience of Anomalisa, that they connect with it, that they don’t limit themselves to the conventions of what animation or drama are supposed to be. That would be great.”

I won’t say The 5th Wave is the worst thing I’ll see this year, but it might be one of the films that ends up wasting the most inherent potential.

Ip Man 3 is a reminder just how talented this international superstar continues to be. [Donnie Yen’s] performance is glorious, the actor embodying this martial arts legend with grace, dignity, passion and charisma to burn. As wonderful as many of the other components might be, he remains the number one reason for interested viewers to watch this sequel and continues to be the primary one by which I wholeheartedly recommend they do just that.

The movie is a mixed bag, but one filled with imagination and ingenuity, and as such as nuts as Monster Hunt proves to be it’s also just enjoyable enough to make dealing with its wildly perverse lapses into pandemonium worth enduring.

Gilda is a classic, no ifs, ands or buts about it…[No] matter how one chooses to look at it director Charles Vidor’s 1946 effort is essential viewing. More than that, though, it’s just a damn entertaining movie, Rita Hayworth and Glenn Ford sensational, while the film itself is a fun, bewilderingly sexy, heartlessly dark frolic into obsession and lust so far ahead of its time 70 years later it still feels risqué and groundbreaking.

Anomalisa is fascinating, and I cannot say I was ever bored by anything that Kaufman and Johnson were choosing to show me…This is as distinctive and as one-of-a-kind an endeavor as anything there is currently in theatres, and as such I do hope intrigued potential viewers seek the film out and give it a long, hard look.

Norm of the North a monumentally insipid misfire that’s proof that agreeing with the filmmakers’ point-of-view doesn’t mean one is going to enjoy the resulting motion picture, and parents taking their kids to watch this one better watch out for social services because buying them a ticket might be akin to a form of child abuse.

“[The] sacrifices that Ambassador Chris Stevens made, that Sean Smith made, that Ty and Glen made, for someone to take this story and turn it into politics, turn it into something it wasn’t, it made us mad. We got together and talked as a team and tried to figure out a way to do this. We knew if we just went to the media and said, hey, this is wrong, it would only get spun again. We needed to do something more concrete.”