From the vast landscapes to the creases lurking at the corner of a person’s smile, all of it matters, the internal intricacies of the human condition revealed in visual layers that continually caught me by surprise.

Brooklyn Brothers Beat the Best spoke to me, casting a rhapsodic spell I didn’t want to see end.

Pitch Perfect hits most of the right notes, and because of this ends up being as smoothly enjoyable as anything currently playing in theatres at this moment.

There’s an important story lurking inside Won’t Back Down, but Barnz and Hill apparently weren’t the duo to tell it, the filmmakers failing their final exam so spectacularly they might as well have flunked right out of school.

“Adolescence, first kisses, how we meet the love of our lives, it’s always interesting. Always. Remember that.”
– Stephen Chbosky

I’m not entirely sure I’ve felt more kinship with a motion picture in recent memory than I have with screenwriter and director Stephen Chbosky’s stunning adaption of his own 1999 novel The Perks of Being a Wallflower.

I’m having a hard time trying to write a review of longtime Clint Eastwood producing partner Robert Lorenz’s directorial debut Trouble with the Curve.

Radnor has crafted characters who live in the real world and not in some fantastical juvenile celluloid fabrication of it.

Anderson’s Master an Enchanting Intellectual Banquet Paul Thomas Anderson’s The Master isn’t an easy sit. Its themes are all over the map, and what it’s talking about is purposefully vague. Most notably, it’s never a certainty whose story it is telling, three primary characters all competing for screen time with two of them sharing numerous […]