The Curse of La Llorona is a massive missed opportunity that failed to maintain my interest, this latest entry in producer James Wan’s spookily successful ghost story universe conjuring up a profound sense of disappointment that left me dejectedly frustrated.

The Wind is a haunting foray into isolation and madness that has far more to say about what it is to be a strong, resolute woman than some may initially think it does, its windswept howls for acceptance and understanding helping make this motion picture a timeless stunner I’ll be thinking about and deconstructing for a very long time to come.

The first wide release of 2019, director Adam Robitel’s Escape Room is an inventive little horror-thriller that has a fair amount of fun with its somewhat familiar premise.

This next chapter of the Halloween story is undeniably its own distinctive thing, Michael and Laurie’s return to greatness as thrillingly bloodcurdling as it is joyfully welcome.

All I do know is that The Predator might be one of the more stupefying and frustrating disappointments of 2018, and a big part of me kind of wishes I hadn’t watched it in the first place.

While no one is going to win an Academy Award for their efforts the collective authenticity of the primary cast is never in doubt, and as such caring about whether they live or die is surprisingly easy to do.

Upgrade is a total blast, and if in the coming years this bit of muscular, blood-soaked science fiction silliness were to spawn a sequel I’ll be first in line to see what sort of aggressively violent trouble Grey and STEM will get themselves into next.

The Endless goes places that are both eerily unexpected and emotionally affecting, the all-encompassing monstrous beauty of this spellbinding sci-fi thriller impossible to understate.

A Quiet Place is close to perfect, this monstrously entertaining chiller a nightmare-inducing smash I’m going to be screaming the praises of for many years to come.