hris Baugh’s raucous Boys from County Hell is a delightfully goofy horror-comedy filled with its fair share of blood and guts.

Can a 30-second scene right at the tail-end of a motion picture derail what had been up to that point 90 minutes of solidly creepy, emotionally authentic old-school haunted house fun? The Banishing sure made me ponder that exact question.

Dench is the Six Minutes to Midnight’s not-so-secret weapon.

What keeps Thunder Force from falling to pieces is that it’s just so pleasantly affable.

Something of an interstellar Lord of the Flies, after a somewhat rushed and lumpy start Neil Burger’s science fiction thriller Voyagers rights the ship and ends up traveling to an emotionally satisfying place.

Clever, inventive and consistently amusing, The Mortuary Collection is one of the best horror anthologies I’ve ever seen.

The Reckoning is a frustrating misfire.

Wonder Woman 1984 is worthwhile mainly because its sense of hopeful uplift is genuine.

How I lost it at the drive-in and fell in love with the movies