Atonement is a revelation, maybe even an instant classic.

Within the framework of this film it truly is No Country for Old Men, and as that harsh realization presents itself the only emotion left is a form of quietly overpowering grief.

Blade Runner is a brilliant amalgamation of sci-fi splendor and modern-day strum and drag, Scott melding it all into a poetic sensory symphony so spectacular it’s easy to see why the picture hasn’t lost a single bit of its timeless resonance.

30 Days of Night is a marvelously bloodcurdling horror show I can’t wait to sink my teeth into again.

This is one epic I will not soon forget, The Assassination of Jesse James by the Coward Robert Ford a meditative stunner I am certain to revisit many times in the not-so-distant future.

Resident Evil: Extinction is an old-fashioned, soda-slurping, popcorn-munching, R-rated good time and, the last time I checked, the laws against that sort of thing happily registered between zero and none.

Eastern Promises is one of the year’s best motion pictures.

In what has become known as the “Summer of Sequels,” Universal Pictures, director Greengrass and star Damon have thankfully saved the very best for last, The Bourne Ultimatum a knock-out stunner I’ve been waiting since May to see.

Once is a musical triumph I’ll be singing the praises of for decades to come.